The Mayflower Pilgrims, arriving in Massachusetts Bay in 1620, were invited to visit the settlement of the indigenous Wampanoag.  Along the trail they noticed circular pits from time to time. These, they were told, were 'memory holes', having been dug so that each generation would remember, through such a mnemonic device, a mythic story said to have been related to that very place.

In the late 19th century, the renowned anthropologist and polymath, Adolf Bastian, founder of the Berlin Ethnographic Museum, first pointed to the recurring themes found in widely dispersed mythologies. These he called völkergedanken – folk ideas – and went on to propose the idea of the psychic unity of humankind. Later scholars and transpersonal psychologists began to refer to these common themes as mythic archetypes. In the early 20th century, Carl Jung explored archetypal themes in the world of dreams, illuminating the ‘collective unconscious’ through which every human being is linked. In the course of a lifetime of research, Joseph Campbell pointed out that the world’s mythologies, ritual practices, folk traditions and major religions share certain symbolic themes, motifs and patterns of behavior. In the Bill Moyers PBS Series, “The Power of Myth”, Campbell successfully introduced this broader understanding to a wide public.

The first computer-generated memory theatre, Memory Theatre One, was a remarkable achievement by Robert Edgar, designed for the Apple II in the late eighties. In 1999 a thoughtful discussion of 'The Computer as Theatre of Memory' was set forth with admirable scholarship by Peter Matussek for the Max Planck Institute in Berlin.

We believe that the field of cross-cultural storytelling will further illumine the transpersonal nature of the human psyche and offer a rich and compelling educational dimension for the modern public.